Wednesday, January 29, 2014

The Life & Times of Memphis Minnie

Written based on research compilations by Angela Lucius


I have always loved Blues Music, especially from artists that were 
born in or lived in Mississippi.


Memphis Minnie was one of the most influential women of the day 
when it came to singing a good Blues song. She was born Lizzie 
Douglas in Algiers, Louisiana on June 3, 1897. She 
was the eldest of thirteen siblings born to Abe and Gertrude Douglas, 
who nicknamed her Kid when she was just a little tyke.
When she was 7 years old she and her family moved to Walls, 
Mississippi, a tiny town located South of Memphis where they had a 
farm. The following year she received her first guitar for 
Christmas. She learned to play the banjo by the age of 10 and the 
guitar by the age of 11, when she started playing local parties. 
When she first began performing she played under the 
name Kid Douglas, because she did not like being called Lizzie.
The family later moved to Brunswick, Tennessee, but after Minnie's
mother died in 1922, her father moved back to Walls, Ms, where he 
died thirteen years later in 1935.
In 1910, at the age of 13, she ran away from her home to live on Beale 
Street in Memphis, Tennessee to play for tips at Church's Park 
( the current W.C. Handy Park), She played on street corners for most
of her teenage years, although she would periodically return to her 
family's farm in Walls when she ran out of money. Her sidewalk 
performances on Beale Street led to a four year tour of the South with 
the Ringling Brothers Circus from 1916 to 1920, at which time she 
returned to the Memphis Beale Street scene.
At the time, women were highly valued-along with whiskey and cocaine-and Beale Street was one of the first places in the country where women 
could perform in public. In order to survive financially, most of the female 
performers on Beale Street were also prostitutes, and Minnie was no 
exception. She received $12 for her services an outrageous fee for the time.
Minnie was suspected to have been married three times. Although no 
evidence has been found of any marriage certificates, her first husband is 
usually said to have been Will Weldon who she married in the early 1920s, 
also known as Casey Bill. 


However, some historians claim the two didn't meet until their first 
recording sessions together in 1935 and never married. If she did 
marry Weldon, she had left him within the decade.

Her second husband or some say common law husband, was guitarist 
and mandolin player 
Joe McCoy (aka Kansas Joe McCoy) whom she supposedly married 
in 1929. She and Kansas Joe McCoy began to perform together. 
They were discovered by a talent scout of Columbia Records in front 
of a barber shop where they were playing for dimes. They went to 
New York City for their first recording sessions, and it was then that she 
changed her name to Memphis Minnie. In 1930, Minnie released one of
 her favorite songs "Bumble Bee," which led to a recording contract with 
the Vocalion label. The couple continued to produce records for 
Vocalion for two more years, then left the label and decided to move to 
Chicago. It didn't take long before Minnie and McCoy had become a part 
of the city's blues scene, and they had introduced country blues into an 
urban environment.
McCoy and Minnie recorded songs together and on their own for Decca 
Records until they divorced in 1934. According to several reports, 
McCoy's increasing jealousy of Minnie's fame and success caused the
breakup. The two-part single "You Got To Move (You Ain't Got To 
Move)" was the last record issued by the couple." 
Minnie was also reported to have lived with a man known as "Squirrel" 
in the mid- to late 1930s, although I was unable to verify this.
Back on her own, Minnie began to experiment with different styles and 
sounds. She recorded four sides for the Bluebird label in 1935 under the 
name Texas Tessie. They included "Good Mornin'," "You Wrecked My 
Happy Home," "I'm Waiting on You," and "Keep on Goin'." In August of 
that year, she returned to the Vocalion label to record two songs in tribute 
to boxing champion Joe Louis: "He's in the Ring (Doing That Same Old 
Thing" and "Joe Louis Strut." Columbia later released "He's in the Ring" 
on the collection The Great Depression: American Music in the '30s in 1994.
Top row: Ernest (Little Son Joe) Lawlars, Bill (with guitar), Lester Melrose,
 Roosevelt Sykes, St. Louis Jimmy Oden;

In 1939, she met guitarist Earnest Lawlars (aka Little Son Joe). 
He became her new musical partner and they married shortly thereafter. 
Son Joe dedicated songs to her including "Key to The World" in which 
he addresses her as "the woman I got now" and calls her "the key to the 
world." 
Minnie and Little Son Joe also began to release material on Okeh 
Records in the 1940s. Their earliest recordings together included 
"Nothin' in Ramblin'" and "Me and My Chauffeur Blues."The couple 
continued to record together throughout the decade. In 1952, Minnie 
recorded a session for the legendary Chess label, when it was just
two months old. Singles from the session included "Broken Heart" 
and a rerecording of "Me and My Chauffeur Blues." The
following year, she released her last commercial recording after 24 
years in blues music, 
"Kissing in the Dark" and "World of Trouble" on the JOB label.
Later in the 1940s Minnie lived in Indianapolis, Indiana and Detroit, 
Michigan, returning to Chicago in the early 1950s.
However, poor health prompted her to return to Memphis and forsake
the musician's life in 1958. She performed one last time at a memorial 
for her friend, blues artist Big Bill Broozny in 1958. Periodically, she would 
appear on Memphis radio stations to encourage younger blues musicians. 
As the Garons wrote in Woman with Guitar, "She never laid her guitar 
down, until she could literally no longer pick it up." 
In 1960, Minnie suffered from a stroke and was bound to a wheelchair. 
The following year, Little Son Joe passed away. The trauma provoked 
Minnie to have a second stroke.

By the mid1960s Minnie had entered the Jell Nursing Home and she 
could no longer survive on her social security income. The news of her
plight began to spread, and magazines such as Living Blues and 
Blues Unlimited appealed to their readers for assistance. 
Many fans quickly sent money for her care, and several musicians held 
benefits to help her. On August 6, 1973, Memphis Minnie died of a 
stroke in the nursing home. In true blues fashion, she was buried in an 
unmarked grave at the New Hope Cemetery in Memphis, Tn.  

A headstone paid for by Bonnie Raitt was erected by the Mt. Zion 
Memorial Fund on October 13,1996 with 35 family members in 
attendance including her sister, numerous nieces (including Laverne 
Baker) and nephews. The ceremony was taped for broadcast by the BBC.

Her headstone is marked:
Lizzie "Kid" Douglas Lawlers
aka Memphis Minnie

The inscription on the back of her gravestone reads:

"The hundreds of sides Minnie recorded are the perfect material 
to teach us about the blues. For the blues are at once general, 
and particular, speaking for millions, but in a highly 
singular, individual voice. Listening to Minnie's songs we hear her
fantasies, her dreams, her desires, but we will hear them as if they 
were our own"

For nearly three decades, Memphis Minnie was one of the most 
influential blues artists in the United States. From the early 1920s 
until she retired in the mid1950s, she released more than 180 songs, 
in addition to those released after her death in 1973. 
She cemented her place in blues history with such classics as 
"Bumble Bee," "Hoodoo Lady," and "I Want Something for You." 
Her repertoire included country blues, urban blues, the Melrose sound, 
Chicago blues, and postwar blues.
In 1980, Memphis Minnie was one of the first 20 artists inducted into 
the Blues Hall of Fame. Her work was featured on several blues 
compilations throughout the 1980s and 1990s. 
Compilations of her own work also continued to surface, including
 I Ain't No Bad Girl in 1989 and Queen of the Blues in 1997.

The home she once lived in still exists at 1355 Adelaide Street 
in Memphis, Tennessee.

Listen to Memphis Minnie courtesy of Youtube









Sources
Garon, Paul and Beth, Woman with Guitar: Memphis Minnie's Blues , Da Capo Press, New York, 1992.
American Heritage , September 1994.
Down Beat , May 1995; March 1998.
High Fidelity , April 1989.
http://www.blueflamecare.com/Memphis_Minnie.html (September 23, 1998).
http://www.memphisguide.com/music2/blues/bluesartists/minnie.html (September 23, 1998).
Harris, S (1989). Blues Who’s Who, 5th paperback edition. New York: Da Capo Press.
Gravestone Photo courtesy of Thomas R. Machnitzki
Wikimedia Commons has media related to Memphis Minnie.
Listen to "When the Levee Breaks" at the "Internet Archive" (archive.org)
Delta Blues Bio and Samples of "Bumble Bee Blues" and "Soo Cow Soo"
Find A Grave Memorial
Mount Zion memorial Fund
Amazon.com
Cr.nps.gov
Discogs.com
Sundayblues.org
Sonya Shelton
Youtube.com
Eil.com Kansas Joe McCoy photo
Highway61radio.com
thepastblues.com

I'm Back !!!

Hello Everyone,  I apologize that I have not posted anything new in a while, however I am finally back to blogging after some time off and hopefully will have some new things to share with you very soon. I hope you will continue to follow and will enjoy some new posts very shortly. Thank you all for all the comments recently that I have received from readers of my older posts. I look forward to writing some new articles very soon. In the mean time I would also like to invite you to check out my new Twizted Twigs Poetry and Short Story blog on wordpress.  www.twiztedtwigs.wordpress.com  where I have been posting some of my poetry, stories and book publishing updates. Have a great day and I look forward to being back in the cemetery blogging world very soon :)

Friday, April 8, 2011

Old, abandoned black cemetery center of controversy

Old, abandoned black cemetery center of controversy


By David A. Farrell, Item Staff Writer
The Picayune Item Picayune Item Fri Apr 08, 2011, 08:37 AM CDT

CARRIERE — A controversy involving an abandoned black cemetery more than 100 years old here has wound up in Pearl River County Justice Court.

Access to the cemetery, in the center of Stone Bridge subdivision, has become the center of the controversy.

The dispute has resulted in the subdivision’s security officer, who also lives in the subdivision, filing an affidavit in Justice Court, charging another Carriere resident with trespassing and desecrating the cemetery.

The dispute revolves around who has access to the cemetery. To Read the Full article click the title link above.

Saturday, April 2, 2011

Anderson Cemetery Byhalia, Ms.

Recently I was on my way to the Byhalia Cemetery to take some headstone photographs for my FindAGrave project, I just happened to look up at the right moment and noticed a headstone through the bushes, from the Hwy. Not seeing a driveway to the area, I pulled over at the neighbors house and asked the gentleman who was out in the driveway if it was a private cemetery. He didn't seem to know much about it other than that it was an African American graveyard. But he was gracious enough to allow me to park in his driveway and walk up thru the wooded trail to the cemetery, so that I could photograph the headstones.
The Anderson Cemetery is located on Old Hwy 178 about a mile east of Byhalia, Ms in Marshall County. It sits in a small clearing on top of the hill, just west of the intersection of Quinn Mills Rd and Edwards Rd which cross Hwy 178.
Approx. GPS Coordinates: Lat. 34.86829/ Lon.89.66964 .
There were 9 names memorialized in the small clearing and what looked like at least 2 unmarked graves, where the ground had started to sink. I have set up memorial pages and added the cemetery to the FindA Grave memorial website.
I have not yet had a chance to research the history of this little cemetery, but if you have any information about it that you would like to share or add to the memorials on FindAgrave, you can click on the links below each photo to view the individual memorials and send the information to me and I can either add the information for you or if you are a family member and have a FindAGrave account, I will transfer the memorial to you and you can add any information you wish to add. I had some problems with posting some of the photos, blogger is not cooperating with me today, but you can click the link and see the headstone photo as they are all posted on the FindAGrave memorials.




Sept 20 1955- Jan 18 2001


Oct 8 1877- July 1 1946
Sep 10 1870- Jan 13 1944



Mar 24 1898- May 5 1975
Nov 1 1895- June 19 1984

Photo on Findagrave
Moses F Watson
Feb 3 1891- July 9 1967
Photo on Findagrave
Mar 24, 1893- Dec 21- 1980

Nov 9 ?- Dec 8?

Dec 31 1933- July 31 2000

Friday, April 1, 2011

Spring Cleaning At Old Philadelphia April 2011

The Mississippi Society of Paranormal Investigators will host their annual Spring Clean-up project at the Old Philadelphia Presbyterian Cemetery in Red Banks Ms. Marshall County, on Saturday and Sunday April 16th & 17th 2011. Volunteers from the group will be raking leaves, cutting brush and clearing some fallen tree limbs . MSSPI adopted the Historic Cemetery in 2009 to assist the cemetery owner, Mr Roy Hendrix, an attorney from Memphis Tn. in an attempt to maintain the pre-civil war cemetery. Mr Hendrix is a direct decendent of the original owner of the property who donated the cemetery to the Old Brick Methodist Church which has since been moved to another location in Red Banks. He has donated over $10,000 out of his own pocket to maintain the cemetery over the years, but now in his 80's he is physically unable to maintain it himself. This cleanup project is an ongoing effort as the cemetery is located in a rural location and while rarely visited, thick growth, falling limbs and leaves occur every year and must be maintained. Last years efforts were stalled by bad weather and limited volunteers , so we are hoping that Mother Nature will work with us this year.

You can read about the history of the Old Phil Cemetery on our main website http://www.mississippi-spi.com/. or in a previous post I have done about the cemetery in this blogs archives.

If you would like to help out or contribute to the clean-up efforts at Old Philadelphia, please contact me via email at angelamsspi@gmail.com for more information.

Thursday, January 20, 2011

Grave Groomers Veterans Restoration Project

Established in 1999, Grave Groomers Cemetery Restoration specializes in cemetery restoration, beautification, delivery and preservation services. Grave Groomers currently has locations in 12 states which include, California, Georgia, Idaho, Massachusetts, Minnesota, North Carolina, Illinois, Michigan, Missouri, Pennsylvania, South Dakota, and Wisconsin.

All of Grave Groomer owners are trained and certified professionals by NAOGG (National Association of Grave Groomers).

Grave Groomer Cemetery Restoration services include, monument leveling, marker cleaning and restoration, stone highlighting and painting, bronze restoration, new foundations and monument repair.

Grave Groomers also offers memorial marker engraving in two different styles:

Precision Graphic Carving is a superior method for illustrating artistic detail, beauty and accuracy. All of the Grave Groomer carvings were originally hand drawn by professional artists. All of their designs are exclusive and copyrighted. Precision Graphic carving should be used on medium to dark granite colors for best results.





Double Process Design Components are used in traditional memorial granite carving. All of their designs are either flat carved or shape carved. A deep line is carved around the design, and then the design is flashed off to create a high contrast on granite. Most floral work is then shape carved to create a three-dimensional artistic carving. These designs work on all granite colors.



Grave Groomers is currently raising funds for Veteran Memorial Restorations and their goal is to clean and restore all Veteran sections that are located in privately owned cemeteries. To raise money for this project Grave Groomers is selling Giant Pizza Cutters. A percentage of the proceeds from these sales will go towards the Veterans Restoration Project.


Grave Groomers is also looking to branch out their franchise to other states and locations and they offer a starter package for anyone who might be interested in starting a Cemetery Restoration Business. They also offer a training program for new business owners, which includes cemetery restoration, stone cleaning, stone repair, bronze restoration, scratch repair, lawn maintenance, individual grave care, flower placement, planting & maintenance, monument and marker leveling, cemetery snow plowing, concrete work and foundations, tools & equipment and training certification thru the National Association of Grave Groomers (NAOGG) Their next training classes start on May 7, 2011. http://www.gravegroomers.com/JoinourTeam.html -------

To find out more about the Grave Groomers and the services they offer please visit their website at www.gravegroomers.com and if you can contribute to these efforts or would like to purchase your Giant Pizza Cutter to help with this project, your money will go to a wonderful cause to help restore our Veteran's grave sites.

Or for more details contact the Main Minnesota Office at 612-423-4216


Photos used with permission from the Gravegroomers.com website.

Friday, December 31, 2010

Corinth National Cemetery

Corinth National Cemetery Corinth Ms, Alcorn Co.


1551 Horton Street
Corinth, MS 38834
Phone: (901) 386-8311
FAX: (901) 382-0750
Office Hours:
Monday thru Friday 8:00 a.m. to 4:30 p.m.
Closed federal holidays except Memorial Day and Veterans Day.
Visitation Hours:
Open daily from 8:00 a.m. to sunset.
Burial Space: This cemetery has space available to accommodate casketed and cremated remains.
Acreage: 20.0
Number of Interments
Thru Fiscal Year 2008: 7,295

HISTORICAL INFORMATION

Corinth National Cemetery is located in Alcorn County, within the city limits of Corinth, Miss. In 1854, the citizens of Tishomingo County, Miss., invited both the Mobile & Ohio and the Memphis & Charleston rail companies to build track through their jurisdiction. The companies quickly accepted the offer and within a year the surveys were complete. The proposed routes for the new lines crossed at a right angle on a section of property owned by William Lasley. Lasley sold the land and a town quickly grew up around the pending railroad intersection. Originally, the town was pragmatically called Cross City, but the local newspaper editor decided it did not fit the growing community. The name was changed to Corinth with the stipulation that the citizens could change it back in a year should they not like it. The name stuck.

Corinth flourished throughout the remainder of the1850s until the election of Abraham Lincoln, Mississippi’s secession and the beginning of the Civil War. Many Tishomingo County men served in the Confederacy and as early as 1861 Corinth served as an assembly point for Confederate soldiers traveling by rail to various points in Florida, Alabama, Kentucky and Virginia. In spring 1862, Corinth became the focal point in the Civil War's Western Theatre, as both northern and southern leaders recognized the necessity of holding the city because of its valuable rail crossings. Corinth was also in proximity to ports on the Tennessee River, including Hamburg, Eastport and Pittsburg Landing. Whoever controlled Corinth held an important logistical key to the entire lower Mississippi Valley.


Photo by Angela L MSSPI 2008

The fall of Fort Henry and Fort Donelson in Tennessee, in February 1862 initiated a series of events that led to Union and Confederate advances on Corinth. The Confederates, under the leadership of General Albert Sidney Johnston, saw their trans-Appalachian defense line broken with the capture of these forts by General Ulysses S. Grant. Subsequently, Corinth became the new anchor for a Confederate defense of the lower South.

In early April 1862, federal troops led by Grant camped at Pittsburg Landing, Tenn., 22 miles northeast of Corinth. The Confederate Army made a surprise attack upon the federal encampment, and although they had an initial measure of success, on the second day Grant received reinforcements and the Confederates fell back toward Corinth.

While the Confederates were caring for their sick and wounded in Corinth, the Union army began a march on the city. Aware that federal troops were closing in, Confederate commander General P.T. Beauregard made plans to abandon the city. The evacuation was carried out in utmost secrecy and on May 30, Union troops cautiously marched into an empty city. Corinth, once again, became the focal point of the war. On Oct. 4, Union and Confederate forces took part in one of the bloodiest battles in Mississippi. The Battle of Corinth was the last major Confederate offensive in North Mississippi and its failure opened the way to Vicksburg and Union control of the Mississippi River.

Corinth National Cemetery was established in 1866 as a central burial site for approximately 2,300 Union casualties of the Battle of Corinth and similar clashes in the surrounding area. By late 1870 there were more than 5,688 interments in the cemetery—1,793 known and 3,895 unknown soldiers. The dead represented 273 regiments from 15 states. In addition, there are three Confederate interments in the cemetery – one unknown and two known soldiers.

Photo by Angela L MSSPI 2008

The cemetery was originally enclosed with a wooden picket fence, which was replaced by a brick wall in 1872. The first lodge was a wooden cottage that was replaced in 1872 and again in 1934. Corinth National Cemetery was listed as a National Historic Landmark in 1991 as part of several sites associated with the Battle of Corinth; it was later listed on the National Register of Historic Places in 1996.


In the Summer of 2008 and again in 2009  my fiance Tony and I visited the Corinth National Cemetery. It is a beautiful cemetery with a sad , lonely feel. The trees are magnificent in the spring time with dogwood blooms. You could feel the sadness in the air here in spite of it's well kept lawn and quiet beauty. There are burials here representing more than just the Civil War, from World War Veterans to Vietnam and Korea as well as their wives. But, the number of unmarked Civil War stones was overwhelming.


We recorded 2 EVP clips here in 2008. We did not record in 2009 as it was raining that day and we were unable to stay. But, I will not forget the feelings I experienced here as if I could feel the homesick sadness of the Union Soldiers who were buried here so far from their homes and loved ones. If you ever get the chance to visit the Corinth Cemetery I would encourage you to do so.  CLICK HERE to listen to the EVP we recorded at the Corinth National Cemetery.

 
Source:

http://www.cem.va.gov/cems/nchp/corinth.asp

Mississippi Funeral Traditions and Superstitions of the 1800's

Traditions in Mississippi and the South are sometimes bound in superstition. The moment that a person dies, a whole series of customs shift into gear to speed the departed’s trip to the hereafter, and to insure the well-being of those left behind. A century ago, these rituals were commonplace. Today, they are still being practiced in some areas.
Take, for instance, the practice of embalming. Preserving the body was not widely practiced before the Civil War. But the necessity of shipping battle dead long distances called for a cheap way to preserve the body during transit. Formaldehyde became the elixir of choice. Afterwards, funeral parlors began using the techniques learned during the war to preserve every client that crossed the threshold. Wealthy Mississippians of the 1800's had elaborate funeral traditions and were more than likely more apt to be able to afford embalming. It has been reported that during and just following the civil war, that the average cost for an embalming was $100.dollars or more, not exactly, small change in the 1800's. In the Victorian era, many did not fear death as much as they feared not being mourned properly.


But in the South, especially in the mountains, undertakers were as scarce as brass handles on a homemade coffin and the lack of embalming caused some bizarre problems.

There is more than one record of a body suddenly sitting up in the middle of the funeral service. The cause of this unnerving spectacle, of course, was rigor mortis or the stiffening of the muscles after death.

Scottish immigrants had their own cure for rigor mortis, a process they called “saining”. The oldest woman in the family burned a candle and waved it over the body three times. Then she scooped three handfuls of salt from a poke, placed it in a wooden bowl and placed the bowl upon the deceased’s chest. Another solution, especially useful if rigor mortis had already set in, was to pour warm water on the joints and rub like crazy. This counteracted the stiffness but when rigor mortis set back in -- and it usually did -- the body would tend to rise anyway.

The body was dressed in its Sunday best and laid out for viewing -- usually in the parlor. Coins were placed over the eyes to keep them shut and some who still held to their old world traditions and superstitions, also believed that the coins would pay the Ferrymaster as the soul journeyed across the River Styx. Then a cloth was tied around the jaw to keep it from flopping open and the arms were folded across the chest. Another towel, soaked in a strong soda solution, took care of discoloration. Spices or cedar chips, placed around the body, helped ward off any unpleasant odors, especially in summer.


Coffins were made by the local cabinet or furniture maker, who might also rent out a hearse for extra income. The coffin designs could be as simple as a simple pine box, to a more stylish hard wood, that had been stained and lined with padding and lace or satin fabrics, to being as elaborate as a hand crafted brass coffin lined in velvet, it really depended on how wealthy you were.

Photo on left of 1800 era Pine Coffin on original 1800 Coffin Cart, on display at the Old Tishamingo County Courthouse Museum, Iuka, MS. taken by Angela L Burke 2010.


However, before the funeral could take place, black mourning cloth fabric, known as crepe, was draped throughout the house, especially over the mirrors.



Folk stories claim that a person looking into the mirror after a death in the house, would see the face of the next person to die, and if a mirror in your house was to fall and break by itself, it meant that someone in the home would die soon. Mirrors should be covered or turned to face the wall. Some believed that the spirit of the deceased could enter the mirror and be trapped. Others believed that if the spirit of the deceased had entered the mirror, the next person to look into the mirror would be the next to die or the spirit of the deceased could enter the person gazing into the mirror. Clocks were stopped at the time of death. This served a practical purpose as well, so that everyone knew the time the person died. Restarting the clock after burial was symbolic of beginning another period in the families life.


It was considered very bad manners to refuse an invitation to a funeral. Stylish invitations or Funeral Cards were distributed to family and friends. Recipients of a funeral card were expected to attend the funeral or risk offending family members. On the other hand, those who did not receive an invitation would have been insulted, whether it was intentional or not."

A close family friend or relative would be asked to host the ceremony and greet visitors. Coffins were often set up in the parlor for visitors to view the deceased and pay their last respects.While the body was still in the house, certain precautions were taken to insure the welfare of the living. For instance, the body was always laid out on the first floor of the house, never on the second. If a step squeaked while the body was still under the roof, it was believed that there would be a death in the family within a year. Some people believed that the soul remained with the body 24 hours after death others believed that the soul remained for 3 days. Members of the family, or friends of the deceased, often chose to “sit up” with the body. This kept the soul company and prevented it from being whisked away by the devil.

Immediate family members would have very little contact with the mourners. Widows in particular wore heavy crepe face veils to provide some privacy during the service and so that others could not see her cry. However one superstition suggests that spirits of the departed would hover around those they loved. If a passerby looked directly on the mourner's face, that spirit might attach itself to that person. So, the veil was a protection for the wearer as well as a protection for others." It was also believed that a Widow should wear black in order to confuse the spirits of the afterlife and to prevent their deceased husband from coming back to haunt or pester them. Black was believed to make her less noticable by the spirits of the afterlife.

Kissing or touching the corpse was a superstition that prevented the living from dreaming about the deceased. It was also known as the time of acceptance that a remaining relative or person would never see their departed one again. Photo on left of couple in traditional 1800's funeral clothes.

When the body was taken from the house, it had to be carried out feet first, because if it was carried out head first, it could look back and beckon others to follow it into death. It is was also believed that since we come into the world head first, we should go out of it feet first. Pall bearers wore gloves when touching or handling the casket to prevent the deceased person's spirit from entering through their hands.

There is an unwritten rule against interupting a funeral procession. It was and still is in some parts believed that anyone who interferes with the deceased going to the grave, will attract the wrath of evil spirits or be haunted by the spirit of the departed. It was also considered bad luck if a bride and groom encounter a funeral procession. The ringing of bells after a death was done for two purposes. 1) to frighten away evil spirits that might come to claim the deceased soul. 2) to toll the age of the deceased and announce a death in the community.

Digging the grave was a solemn task reserved for family and friends. They dug the grave and filled it up after the funeral. Graves always faced the east toward the rising sun, the symbol of resurrection. When a person died dictated when the grave was dug. If a person died at night or early in the morning, for example, the grave was dug after noon on the following day. It was considered, bad luck to leave a freshly excavated grave open all night.                    1800's Funeral Photo

While the family went to the burial service at the cemetery, the host would remove the mourning crepe fabrics from the house and return the home to it's pre-funeral condition. It was considered unlucky for the family to return to the home from the cemetery and find the house still draped in black. The family friend would then host a light luncheon at the house after the funeral service.

Society placed strict rules of ettiquette on the mourners. The mourning period for a female widow was a year and a day. During this time the widow wore solid black mourning clothes or widow's weeds, Formal black mourning clothes -- even items of underwear and accessories like gloves and handkerchiefs had to be black. The widow was required to limit her social appearances and engagements. Those who could not afford to buy black mourning clothes would either have all their wardrobe died black or they would die their clothes themselves in a large black kettle over an open fire outside in the yard. If the crape was caught in the rain, the black dye would run and ruin anything near it. This limited the woman from venturing far from home. Collar and cuffs were black and after a year lace could be added. All fabric should have a luster or shine. Jewelry was not allowed for the first few months, after that only black jewelry was allowed, including earrings, broaches, bracelets and rings. For a specific period of time a widow (not widower) would not leave her house and did not see any visitors. When a period of time (what others felt was respectable) had lapsed, the widow would send out black edged cards to notify her family and friends that she was ready to receive visitors. Anyone in mourning was not allowed to attend social functions. Full and half mourning was based on the relationship to the person who died and the end of the deep or heavy mourning period. Half mourning included colored clothing of lilac, lavender, violet, mauve, and gray.

"The Civil War resulted in approximately 600,000 casualties. In the state of Alabama alone, there were over 80,000 widows -- 80,000 women dressed for mourning.

During the Victorian era, there were requirements for mourning the dead. The proper time to mourn was: Spouse: 1-2 and a half years Parent: 6-12 months Grandparents: 6 months Sibling: 6-8 months Children under 10 yrs: 3-6 months Children over 10 yrs: 6-12 months Infants: at least 6 weeks Aunts and Uncles: 3-6 months Cousins and Aunts and Uncles related by marriage 6 weeks-3 months Distant relatives or friends: 3 or more weeks

Widower men were expected to mourn for three months, dressing conservatively and wearing a black crepe mourning hatband.

It was commonly believed that if a woman and child die during child birth, they should be buried together in the same grave, otherwise the mother will never rest because she does not know what has become of her baby, and will forever be searching for her child.

A few other superstitions related to death include:

Never cry on a dead person because if the tears fall on them, it makes it harder for the spirit to leave this world.

If for some reason you find yourself needing to bury a body, bury them at a crossroads and their spirit won’t be able to leave.

Midnight has always been considered the best time to contact a ghost and
on the anniversary of the day they died.

You must hold your breath while going past a cemetery or you will breathe in the spirit of someone who has recently died.

Make sure windows and doors are open after a person dies to ensure their spirit a speedy journey to the other side.

If you see a funeral procession go by and for some reason count the cars, you’ve just counted the number of weeks you have left to live.

If you take too long to bury the dead, they will find someone to take with them.

The cry of an owl symbolizes death. Where it builds a nest, ghosts will haunt for as long as the bird stays.

The crowing of a rooster signals wandering ghosts that it is time for them to disappear until nightfall


Another curious and widespread concern in the nineteenth century was the fear of being buried alive. "This was a superstition that so permeated society that even Mary Lincoln, a relatively well-to-do, well-educated woman, shared in her final instructions her fear of this. She wrote,

'I desire that my body shall remain for two days with the lid not screwed down.''

"Because of this fear," Estes said, "they developed a coffin alarm. This was a bell attached to the headstone with a chain that led down into the coffin to a ring that went around the finger of the deceased. So, if you were to wake up and find yourself accidentally buried, you could pull on the chain and ring the bell in the cemetery yard.




Post-mortem photography (also known as memorial portraiture or memento mori) is the practice of photographing the recently deceased.

The invention of the daguerreotype in 1839 made portraiture much more commonplace, as many of those who were unable to afford the commission of a painted portrait could afford to sit for a photography session. This cheaper and quicker method also provided the middle class with a means for memorializing dead loved ones.

These photographs served less as a reminder of mortality than as a keepsake to remember the deceased. This was especially common with infants and young children; Victorian era childhood mortality rates were extremely high, and a post-mortem photograph might be the only image of the child the family ever had. The later invention of the carte de visite, which allowed multiple prints to be made from a single negative, meant that copies of the image could be mailed to relatives.


The practice eventually peaked in popularity around the end of the 19th century and died out as "snapshot" photography became more commonplace, although a few examples of formal memorial portraits were still being produced well into the 20th century.

The earliest post-mortem photographs are usually close-ups of the face or shots of the full body and rarely include the coffin. The subject is usually depicted so as to seem in a deep sleep, or else arranged to appear more lifelike. Children were often shown in repose on a couch or in a crib, sometimes posed with a favorite toy or other plaything. It was not uncommon to photograph very young children with a family member, most frequently the mother. Adults were more commonly posed in chairs or even braced on specially-designed frames. Flowers were also a common prop in post-mortem photography of all types.

The effect of life was sometimes enhanced by either propping the subject's eyes open or painting pupils onto the photographic print, and many early images (especially tintypes and ambrotypes) have a rosy tint added to the cheeks of the corpse.
Later examples show less effort at a lifelike appearance, and often show the subject in a coffin. Some very late examples show the deceased in a coffin with a large group of funeral attendees; this type of photograph was especially popular in Europe and less common in the United States.

Post-mortem photography is still practiced in some areas of the world, such as Eastern Europe. Photographs, especially depicting persons who were considered to be very holy lying in their coffins are still circulated among faithful Eastern Catholic, Eastern Orthodox and Oriental Orthodox Christians.
A variation of the memorial portrait involves photographing the family with a shrine (usually including a living portrait) dedicated to the deceased.



Sources:

Your Guide to Cemetery Research by Sharon DeBartello Carmack
Scottish Lore & Folklore by Ronald MacDonald Douglas 1982
http://www.essortment.com/all/deathsuperstiti_rxzf.htm
http://www.hauntedhamilton.com/12_hhnews_superstition.html
http://historiccamdencounty.com/ccnews43.shtml
http://picasaweb.google.com/lh/photo/2625ruxAmgkRoevtX0hdbg
http://www.civilwarundertaker.net/photo_gallery.htm
http://www.funeralplan.com/west/vtour_pop?id=5906